• Read, Read, Read
  • Set Goals
  • Develop a Thick Skin - everybody suffers rejection
  • Figure out What Makes You and Your Writing Unique
  • Network - few writers can survive the jungle alone
  • Use books, writing classes, writing groups, web sites and conferences to learn about the craft and publishing

Check out writing activities below

Here are questions Claire has received over the years from writers of all ages.

What skills do you need to make it as a writer?


A great imagination, willingness to revise, determination to not give up even when your work is rejected, a love of reading. Most important is the drive to write. There are definitely easier ways to make a living, so only write to publish if you are wild about it and will go to hell and back to make it happen.

But everyone can use journal writing as a way of understanding oneself and the world. Writing things down can make you feel a little less stressed. There are even research studies now proving that writing is an excellent form of therapy and it only costs your time.


How can you tell if you have what it takes?


Take it one step at a time. You don’t have to decide to be a writer forever, just decide that you want to try it. Work very hard on a story, poem or essay and show it to other trusted writers. Start studying up on where you could submit it for publication. Revise and polish your piece, then send it to an editor who publishes the kind of writing you do. Over time you will know you’re on the right path if you get some positive responses from editors, even if they don’t accept your manuscript right away. Surrounding yourself with writer friends will help you see how they live and work.


Do you ever regret becoming a writer?


Hardly ever. Only during the times when I am feeling a little crazy about the writing business (Will my books stay in print? Will I ever make real money?) Or insecure - Will people really want to read what I have to write? Every writer I know feels this way sometimes. Writers open their souls to the world. It can be scary. Sometimes I procrastinate and don’t use my time well. But usually that’s a sign that I’m not sure what direction a story should go or what to work on. Sometimes I don’t want to revise. No matter what, I continue to write. I will never stop as long as I can hold a pen or type.


Where did you go to learn about writing?


I enrolled inthe Masters of Fine Arts in Creative Writing at the University of Alaska Fairbanks. But you can also learn to write by studying how books in your chosen genre are put together, taking short courses, and writing, writing, writing on your own.


Is it difficult coming up with ideas to write about?


NO! Once you start noticing the world around you, you will have too many ideas. Mine come from everywhere. I have to decide which are the most important to me because time is limited. Writing in my journal helps me figure that out. Sometimes I wonder if I will live long enough to get all my stories written.


What is the biggest challenge a writer faces?


For me it’s to stop procrastinating and write. I want to write more than anything. I dream about it, talk about it, but sometimes I do everything but write - talk on the phone, do the dishes, clean my office ... As Ernest Hemingway once said, "You’ve got to attach the seat of your pants to the seat of your chair and write.
"

How long does it take you to write a book and how do you structure it?


You probably don’t want to hear this, but it takes me around 2-3 years to produce a book that is publishable. I'm the type of author who has to write many, many, many drafts before I get it right and all my books have involved some research, which takes time. Usually I am working on several book projects at once, though just one novel. I love to research so much that sometimes I want to start another book, just so I can learn more interesting things. But I have to keep that interest in the background and focus on the work at hand.

When I get an idea I start a manila folder and fill it with jotted down ideas and articles I collect. I put it away and add to it for months, sometimes years before I actually start a book. For fiction, I do character sketches and a brief chapter outline, which grows and evolves. When I start writing a novel I always think I know my ending, but in revision it usually changes in some way. Some authors do not work that way. They only know the main character or plot idea before they begin. I have lived with my story idea for a long time, so many characters and events have been brewing in my mind and journal.

For nonfiction I do a lot of research and then put together a proposal to sell to an editor. This will include an outline of people or events covered and some sample profiles/chapters. I never finish a longer nonfiction book until I have a company that wants to publish it. I do write complete drafts of picture books and novels before submitting.


Is it a problem not living near New York City where most of the publishers are located?


It would be great to be able to attend the panels and conferences in New York City and rub elbows with editors. But that’s not going to help if you don’t have a strong story. Regional and national conferences can alsohelp writers network and meet agents and editors. I used to be intimidated by the NYC publishing world, but once you meet those who control your destiny, you realize they are just people, too. You can get published no matter where you live, if work is high caliber. Nothing replaces that. Some editors will like your work, others will not. Sometimes it's just personal preference.


If a writer is writing for children or young adults, how can she keep in touch with the sensibilities of a child or teen?


Spend time with young people by visiting classrooms, parks, churches, libraries, gyms, wherever children play or teens meet. Go on a field trip and taking your relatives out, getting into schools, observing children of all ages.


What single piece of advice would you offer new writers?


How about two? Read and write. Read everything you can in the genre you want to write in, whether it’s romance, mystery, picture books, young adult novels. . . .Read the best you can find and figure out what makes them so great. And write, write, write. Nothing replaces the practice of the craft. No marketing advice in the world can get a poor piece of writing published. If it does get published, it won’t sell well and can ruin future projects.

No one can write like you. Remember that and get to work.

Many resources are available for writers. The best resource for those interested in writing for children and young adults is scbwi.org - society of children’s book writers and illustrators. Check it out today. It can help you network with other writers and learn about children's book publishing.

The exercises below have been helpful to me and students of all ages in my workshops. Give it a go.

FICTION WRITING PROMPT
  1. Think back to a time in your life when you were:
    • scared
    • embarrassed
    • happy
    • excited
    • sad
    • worried
    • mad
    • confused

    It could have been yesterday, when you were a little child or any time in between.

  2. Make a list of all those incidents.

  3. Choose one to write more on. One that calls out to you today. Put the list aside but keep it in a folder for later use.

  4. Now do a cluster or fastwrite on that particular memory. Write down everything you can remember - who was there, when it took place, what happened, where it took place, how you felt. Describe what you saw, tasted, touched, felt and heard if you can. These are the five senses and sensory images really make writing come alive. How old were you? What season of the year was it?

  5. Next you could turn this fastwrite into a real-life narrative or a poem about that experience.

Or you could turn it into fiction.

Think about your memory again. This time pretend that something has changed. Do a three-minute fastwrite on each of the questions below. Don’t stop, don’t judge, just keep writing and see what pops up.

What if you were:
  • a different age when it happens? Much older or younger, at least five years difference.
  • living in a different country?
  • living in a different period of history?
  • a male instead of a female or vice-versa?


Brainstorm or fastwrite how the story would change. Now that it is fiction, you can change anything you want. But keep the human feelings in the story. Many fiction writers use real life experiences in their stories. They describe places or people they know and events that happened. But they change details so that it becomes a fiction story instead of a nonfiction narrative. Your life experiences can help your fiction come alive for the reader.


Character Development Ideas

What does your character look like?

  • likable traits
  • physical traits character doesn’t like about self

How does your character act?

  • positive character traits (witty, kind, hard-working)
  • some flaws or challenges character has (hot-headed, lazy)
What are this character’s dreams and wishes?

(wants to be the lord’s favorite weaver, wants to star in a Hollywood movie)

Based on the questions above, what are some events that could happen to your character because of their dreams, flaws, and physical appearance...

Brainstorm some ideas.

Who are your character’s friends and family?

Make a list, give them names and personalities. Choose the people who are important to your character.

Five Senses
:

Make a list of things that your character would:
  • See
  • Touch
  • Hear
  • Taste
  • Smell

Sensory details really make writing come alive.


What is your character’s favorite place?

Describe it.

What are some things that she/he enjoys doing?

Make a list.

Think of times you have felt happy scared, confused, excited, angry.

Make a list of events and then brainstorm how you could adapt those emotions to the characters in your story.

Write some journal entries in the voice of your character.

It will help you understand them better, especially when you reach a point in the story when you are not sure what your character would do.